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陳惠蓮 Denise CHEN（臺灣／Taiwan）畢業於澳洲皇家墨爾本理工大學藝術系（PHD），旅居香港多年，曾任教大學擔任藝術系講師，並於教職外與藝術顧問公司合作，提供意見、作品及製作大型公共雕塑。
回臺後，藝術創作仍以原民圖騰為主軸，並從事與原住民文化藝術有關的課程、策展及文化推動等事務。 Denise has earned a PhD in art from RMIT University in Melbourne, lived in Hong Kong for years, been employed as a university lecturer in art, and collaborated with an art consultant company in providing advice and creating works of art, including large public sculptures.
Since returning to Taiwan, she has continued to focus on traditional Indigenous designs while teaching classes related to Indigenous art and culture, curating art shows, and promoting Indigenous culture. |
廖怡婷 LIAO Yi-ting（臺灣／Taiwan）沙滔舞琉璃藝術空間負責人暨藝術總監，承襲父親廖英傑文化之手，從事排灣文化工藝15年之久，致力於原鄉為部落族人創造就業機會，在當代社會透過工藝延續文化之美。
Head and Artistic Director of the Shatao Lazurite Art Workshop, Yi-ting has inherited the cultural work of her father and been involved in Paiwan art and culture for 15 years, working to create job opportunities for people in the Indigenous community of Timur. This is her way of keeping alive the beauty of Paiwan culture in contemporary society.
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高舒奈 KAO Shu-nai（臺灣/Taiwan）來自臺東阿美族高舒奈老師，近年專注於文物維護、梅爾檸檬種植及各類工藝創作，對於美學有獨到的見解。
An Amis artist from Taitung with a unique aesthetic perspective, Shu-nai has been focusing on the preservation of cultural relics, growing Meyer lemons, and making all kinds of handicrafts in recent years.
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娥冷・巴格達外 Eleng PAKEDAVAI
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潘雅莉 PAN Ya Li（臺灣／Taiwan）因從小對月桃葉有眷戀的情感，月桃織品散發出淡淡的月桃香，不自覺沈浸在裏頭，為了延續月桃葉芬芳，將異素材文化元素相結合，創造出更多的可能性；藉由桃布里的力量帶動部落產業動能，讓族人及大眾對於月桃的產值與使用性改觀。
In order to continue the fragrance of shell flower leaves, the cultural elements of different materials are combined to create more possibilities. We wish through the power of Tabuli to drive the kinetic energy of the tribal industry, let clansmen and public people change the output value and usability of shell flower.
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