泰國傳統舞蹈工作坊 Traditional Thai Dance workshop
時間 Time：2023.8.16（三／WED）11:00-12:30
地點 Location：蒂摩爾劇場 Studio of Tjimur Dance Theatre
學習男性與女性角色的基本動作。簡短的編舞練習，並介紹現代舞蹈。
針對傳統泰國舞蹈工作坊，探討各種詞彙與基本動作。探討傳統舞蹈在持續演進的社會文化當中如何發展並隨需調適。
There will be learning the basic movements of the male and female characters. There will be a short choreography and introduction to contemporary dance.
The vocabulary and fundamental movement are discussed in the traditional Thai dance workshop. Through changing social culture, how traditional dance has evolved and adapted itself.
*本工作坊將以英文進行，備有可協助翻譯助教。
*Held in English, with assistants in Mandarin.
針對傳統泰國舞蹈工作坊，探討各種詞彙與基本動作。探討傳統舞蹈在持續演進的社會文化當中如何發展並隨需調適。
There will be learning the basic movements of the male and female characters. There will be a short choreography and introduction to contemporary dance.
The vocabulary and fundamental movement are discussed in the traditional Thai dance workshop. Through changing social culture, how traditional dance has evolved and adapted itself.
*本工作坊將以英文進行，備有可協助翻譯助教。
*Held in English, with assistants in Mandarin.
Kornkarn (Gade) Rungsawang
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印尼楠榜Sigeh Pungten 舞蹈技巧工作坊
Sigeh Pungten Dance Technique Workshop
時間 Time：2023.8.17（四／THU）11:00-12:30
地點 Location：蒂摩爾劇場 Studio of Tjimur Dance Theatre
Sigeh Penguten 舞蹈是來自楠榜省文化的祭祀舞蹈。印尼楠榜省的傳統節慶、婚禮現場乃至於政府活動期間，都可以見到 Sigeh Penguten 舞蹈的演出；透過曼妙舞姿，歡迎參加活動的貴賓，這類演出通常安排在開幕時呈現。Sigeh Pengunten 的舞者主要是單身女性，舞者的人數則多為奇數，例如 3、5、7、9 人等。Sigeh Penguten 舞蹈是 Ayu 學習的第一支舞蹈，因此 Sigeh Penguten 舞蹈不僅是 Ayu 的祭祀舞蹈，也是 Ayu 舞蹈的起源。
Sigeh Penguten dance is an offering dance from Lampung culture. Sigeh Penguten dance is usually performed at traditional events, weddings and even government events in Lampung province, Indonesia. This dance is intended for honored guests who come to an event and is usually performed in the opening section. Sigeh Pengunten dance is danced by single women and performed with an odd number of dancers such as 3,5,7 9 and so on. Sigeh Penguten dance is the first dance that Ayu learned, so Sigeh Penguten dance is not only an offering dance for Ayu, but a home for Ayu's own body.
*本工作坊將以英文進行，備有可協助翻譯助教。
*Held in English, with assistants in Mandarin.
Sigeh Penguten dance is an offering dance from Lampung culture. Sigeh Penguten dance is usually performed at traditional events, weddings and even government events in Lampung province, Indonesia. This dance is intended for honored guests who come to an event and is usually performed in the opening section. Sigeh Pengunten dance is danced by single women and performed with an odd number of dancers such as 3,5,7 9 and so on. Sigeh Penguten dance is the first dance that Ayu learned, so Sigeh Penguten dance is not only an offering dance for Ayu, but a home for Ayu's own body.
*本工作坊將以英文進行，備有可協助翻譯助教。
*Held in English, with assistants in Mandarin.
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Ayu Permata Sari（印尼／Indonesia）
Ayu Permata Sari 是來自印尼北楠榜省的編舞家及舞者，她含有楠榜省王座 (pepadun) 部落的血統，該部落為楠榜省文化的主要部落之一。Ayu 是 Ayu Permata 舞蹈專案 (APDP) 的負責人，透過 APDP 的經營支持 Ayu 自己的所有藝術創作與活動，包括個人活動以及與其他藝術家的各式合作展演。從 2020 年至今，Ayu 的部分作品聚焦探討楠榜省王座部落裡的男女兩性地位與角色。
Ayu Permata Sari is a choreographer and dancer from North Lampung, Indonesia. Ayu's lineage includes the Lampung pepadun tribe, which is one of the main tribes in Lampung culture. Ayu is the owner of Ayu Permata Dance Project (APDP), APDP is a room for Ayu to support all her artistic activities both solo activities and collaborations with other artists. Since 2020 until now some of Ayu's works have focused on discussing the position of men and women in the Lampung pepadun tribe. |
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蒂摩爾身體工作坊
Tjimur Body Workshop
時間 Time：2023.8.18（五／FRI）11:00-12:30
地點 Location：蒂摩爾劇場 Studio of Tjimur Dance Theatre
排灣族樂舞源自生活及傳統儀式中產出，舞步大多以四步舞呈現，身體律動產出以歌謠聲線作為引導。在本工作坊中，蒂摩爾古薪舞集將帶領學員認識排灣族文化、傳統舞步及歌謠，以及蒂摩爾獨有的肢體訓練方式。路之團長將會親自講解舞團自排灣族傳統文化延伸到當代舞蹈的動作發展。
Paiwan singing and dance are a product of traditional daily activities and religious rituals. Most dances are based on the four-step dance, in which the rhythm of the body is guided by the melody of the singing. In this workshop, Tjimur Dance Theatre will teach you about traditional Paiwan culture, singing, and dance and lead you in experiencing our unique training regimen. Troupe leader Ljuzem will talk about how our art has evolved from the traditional to the contemporary.
Paiwan singing and dance are a product of traditional daily activities and religious rituals. Most dances are based on the four-step dance, in which the rhythm of the body is guided by the melody of the singing. In this workshop, Tjimur Dance Theatre will teach you about traditional Paiwan culture, singing, and dance and lead you in experiencing our unique training regimen. Troupe leader Ljuzem will talk about how our art has evolved from the traditional to the contemporary.
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路之・瑪迪霖 Ljuzem MADILJIN
（臺灣／Taiwan） 屏東縣三地門鄉地磨兒部落排灣族人，蒂摩爾古薪舞集創辦人暨藝術總監，臺南應用科技大學兼任講師，畢業於臺南應用科技大學舞蹈系、國立屏東大學文化創意產業研究所，曾擔任國家表演藝術中心董事，長年居住於部落，是地磨兒樂舞文化傳承者、樂舞文化藝術教學者，tjimur身體技巧研發者。
2006年創立臺灣首支以排灣族文化為主體性之當代職業舞團「蒂摩爾古薪舞集」，2009至2022年統籌17支演出作品，率領團隊代表臺灣赴歐、亞洲多國演出。2014年開創排灣族當代舞蹈教學系統，致力探索排灣族以歌入舞之呼吸方法，進而研發出排灣當代身體訓練，突破舞者使用身體慣性，持續開發潛能與極限。 創團十六年來，堅持透過表演藝術分享排灣族文化及哲學之美，不斷創造原住民當代劇場多元發展的可能性，2018年創辦「TJIMUR藝術生活節」，開拓部落文化藝術與國際對話，同時持續推動部落巡演計畫、城市場館之媒合駐館計畫及藝文推廣活動等，開啟臺灣原住民藝術發展的可能性。 |
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Ljuzem MADILJIN is the Founder and the Artistic Director of Tjimur Dance Theatre. Upon her graduation from the Dance Department at Tainan University of Technology, and completed the master's degree in Department of Cultural and Creative Industries at National Pintung University. She returned to her hometown, Tjimur Village in Pingtung County, where she started her career teaching and dancing more than 15 years ago. Now, she is pursuing her master’s degree in the Graduate Institute of Cultural Creative Industries at the University of Pingtung.
In the summer of 2006, Ljuzem established the Tjimur Dance Theatre, the first modern dance company in Taiwan dedicated to the presentation and promotion of the aesthetics and philosophy of ancient Paiwan culture. From 2009 to 2021, she coordinated 16 performances and led a team to represent Taiwan to perform in Europe and Asia. In 2014, she pioneered the Paiwan contemporary dance teaching system, dedicated to exploring Paiwan’s breathing method of singing and dancing, and then developed Paiwan contemporary physical training, breaking through the dancers’ physical inertia, and continuing to develop their potential and limits.
It has been a motto as well as a lifelong promise for Ljuzem that she must keep learning and paving the way for the indigenous kids to come back to their hometown. This has prompted her to have established the first professional dance company in Pingtung and to have toured in many indigenous villages to share their passion and inspire the wider audience in the south tip of Taiwan.
In the summer of 2006, Ljuzem established the Tjimur Dance Theatre, the first modern dance company in Taiwan dedicated to the presentation and promotion of the aesthetics and philosophy of ancient Paiwan culture. From 2009 to 2021, she coordinated 16 performances and led a team to represent Taiwan to perform in Europe and Asia. In 2014, she pioneered the Paiwan contemporary dance teaching system, dedicated to exploring Paiwan’s breathing method of singing and dancing, and then developed Paiwan contemporary physical training, breaking through the dancers’ physical inertia, and continuing to develop their potential and limits.
It has been a motto as well as a lifelong promise for Ljuzem that she must keep learning and paving the way for the indigenous kids to come back to their hometown. This has prompted her to have established the first professional dance company in Pingtung and to have toured in many indigenous villages to share their passion and inspire the wider audience in the south tip of Taiwan.
印度昂加 (Angika)—手勢語言工作坊
Angika- language of gestures
時間 Time：2023.8.20（日／SUN）11:00-12:30
地點 Location：蒂摩爾劇場 Studio of Tjimur Dance Theatre
根據表演藝術梵本《舞劇論》探索奧迪西舞 (Odissi) 技藝。
Exploring technique of Odissi based on Natyashastra, a Sanskrit treatise on performing Arts.
*本工作坊將以英文進行，備有可協助翻譯助教。
*Held in English, with assistants in Mandarin.
Exploring technique of Odissi based on Natyashastra, a Sanskrit treatise on performing Arts.
*本工作坊將以英文進行，備有可協助翻譯助教。
*Held in English, with assistants in Mandarin.
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Daksha MASHRUWALA（印度／India）
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Namrata MEHTA（印度／India）
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自開始學舞時，研習的舞種就是婆羅多舞 (Bharatnatyam)，並師事 Smt. Mrinalini Sarabhai，在 Darpana 度過了她的童年與青少年光陰。近年來，隨著她持續鑽研古典舞蹈，更深刻瞭解美學與藝術形式，也奠定了終生耕耘的基礎。
在 30 初歲的時候，Daksha 首次接觸充滿美感雕刻的奧迪西舞 (Odissi) ，並在傑出的Shri Padmavibhushan Kelucharan Mahapatra (已故) 大師指導下，繼續她的修行旅程。自 1988 年以來，她持續從 Kelubabu 接受密集的訓練與指導，從此致力探索並精進奧迪西舞錯綜的複雜細節。在過去的20年裡，Daksha持續聚焦在各種不同的推廣與創作，嘗試提高各界民眾對於奧迪西舞蹈與音樂的認識及喜愛。 Daksha MASHRUWALA started her first years of training in the art form of Bharatnatyam under Smt. Mrinalini Sarabhai at Darpana during her childhood and teenage years. These years laid the foundation for a lifetime of greater understanding of aesthetics and form as she delved deeper into classical dance. In her early 30’s, Daksha made her first acquaintance with the sculpturesque and sensuous dance form of Odissi. She continued her journey under the distinguished maestro Late Shri Padmavibhushan Kelucharan Mahapatra. Having had intense training and guidance from Kelubabu since 1988, she has devoted herself to the intricacies of Odissi ever since. Promoting awareness and love for Odissi dance and music through various avenues has been the main focus of Daksha ji’s life over the last two decades. |
出身孟買的奧迪西舞蹈大師 Smt Daksha Mashruwala 的資深弟子，Namrata 是同輩當中最優秀的舞蹈家之一，二十多年來持續將熱情投入舞蹈，專注無私始終如一。她在印度與國外的各個著名節慶裡，獲得觀眾無數的青睞，並贏得了各種榮譽稱號。
Namrata 是全印電視台 (Doordarshan) 分級的藝術工作者，並獲頒 Sringarmani 和 Girnar Ratna 稱號。此外， Namrata也獲得那瀾陀舞蹈研究所管理委員會頒發的 Nrityashastra 文憑，更是印度政府印度文化關係委員會 (ICCR) 的特邀藝術家。 過去 2 年的時間裡，Namrata 持續與台灣蒂摩爾古薪舞集 (Tjimur dance theater) 密切往來，開展各式文化交流。她也與 SPICMACAY 合作，並且參與研討會系列活動。 Namrata MEHTA is a senior disciple of the Odissi dance Guru, Smt Daksha MASHRUWALA, based in Mumbai. Namrata is one of the finest dancers of her generation, dedicated to her passion for more than twenty years. She has enthralled audiences at various prestigious festivals in India and abroad and has earned many titles to her credit. Namrata is an artist, graded by Doordarshan and has been conferred the titles of Sringarmani and Girnar Ratna. Namrata has received a diploma in Nrityashastra from the governing council of Nalanda Dance Research Institute. She is an empanelled artist with Indian Council of Cultural Relations, Government of India (ICCR). For the last 2 years, Namrata has been a part of cultural exchange with Taiwan's Tjimur dance theater- Taiwan. Namrata is also associated with SPICMACAY and has been part of Workshop Demonstration Series. |
注意事項 Notice
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