路之行走 Ljuzem’s Walk
時間 Time：2023.8.18（五／FRI）15:30-16:20
地點 Location：巴格達外石板屋 Pakedavai Tribe Stone Slab House
路之・瑪迪霖醞釀十年的個人行動計畫
⼀趟透過藝術⾏動找回⾃我的療癒旅程，也是每⼀個⼈在想望的⼈⽣道路上的修⾏之路。此次為「落定⾛」於三地⾨村地磨兒部落規劃路線，溯源、回望及展望身為部落女性及藝術家的未來。
當再一次披上排灣族服，回到成為人妻的那日，過往的步伐是推動往前的動力，心臟與腳上踏著的Zemiyan共振。
每一步，都是自我的重建，每一步，都是自我的療癒。
從每一次行走，找回過去、擁抱現在，也看見未來。
Ljuzem’s Walk is a project on walking that Ljuzem MADILJIN has spent ten years on.
It is her therapeutic trek aimed at finding herself as well as a path of self-cultivation for all who desire something in life. The performance will be put on in Timur as a means for Ljuzem to look back to her roots and the past, and look to her future as a female artist of the community.
“When I put on my traditional Paiwan attire again and think back on the day I got married, I feel an impetus for my heart to move forward and the resonance of the zemiyan dance. Each step is progress in rebuilding myself and a bit of self-therapy, and each walk is a way to rediscover my past, embrace my present, and see my future.”- Ljuzem Madiljin
⼀趟透過藝術⾏動找回⾃我的療癒旅程，也是每⼀個⼈在想望的⼈⽣道路上的修⾏之路。此次為「落定⾛」於三地⾨村地磨兒部落規劃路線，溯源、回望及展望身為部落女性及藝術家的未來。
當再一次披上排灣族服，回到成為人妻的那日，過往的步伐是推動往前的動力，心臟與腳上踏著的Zemiyan共振。
每一步，都是自我的重建，每一步，都是自我的療癒。
從每一次行走，找回過去、擁抱現在，也看見未來。
Ljuzem’s Walk is a project on walking that Ljuzem MADILJIN has spent ten years on.
It is her therapeutic trek aimed at finding herself as well as a path of self-cultivation for all who desire something in life. The performance will be put on in Timur as a means for Ljuzem to look back to her roots and the past, and look to her future as a female artist of the community.
“When I put on my traditional Paiwan attire again and think back on the day I got married, I feel an impetus for my heart to move forward and the resonance of the zemiyan dance. Each step is progress in rebuilding myself and a bit of self-therapy, and each walk is a way to rediscover my past, embrace my present, and see my future.”- Ljuzem Madiljin
路之・瑪迪霖 Ljuzem MADILJIN （臺灣／Taiwan）
屏東縣三地門鄉地磨兒部落排灣族人，蒂摩爾古薪舞集創辦人暨藝術總監，台南應用科技大學兼任講師，畢業於台南應用科技大學舞蹈系、國立屏東大學文化創意產業研究所，曾擔任國家表演藝術中心董事，長年居住於部落，是地磨兒樂舞文化傳承者、樂舞文化藝術教學者，tjimur身體技巧研發者。
Ljuzem MADILJIN is the Founder and the Artistic Director of Tjimur Dance Theatre. Upon her graduation from the Dance Department at Tainan University of Technology, and completed the master's degree in Department of Cultural and Creative Industries at National Pintung University. She returned to her hometown, Tjimur Village in Pingtung County, where she started her career teaching and dancing more than 15 years ago. Now, she is pursuing her master’s degree in the Graduate Institute of Cultural Creative Industries at the University of Pingtung.
Ljuzem MADILJIN is the Founder and the Artistic Director of Tjimur Dance Theatre. Upon her graduation from the Dance Department at Tainan University of Technology, and completed the master's degree in Department of Cultural and Creative Industries at National Pintung University. She returned to her hometown, Tjimur Village in Pingtung County, where she started her career teaching and dancing more than 15 years ago. Now, she is pursuing her master’s degree in the Graduate Institute of Cultural Creative Industries at the University of Pingtung.
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《varhung・心事誰人知＿二十之後說⋯⋯》
varhung・Heart to Heart - What I have to say since turning 20
時間 Time：2023.8.20（日／SUN）16:30-16:50
地點 Location：文化館圓形廣場 Sandimen un hua kuan square
表演者 Performer：
臺南應用科技大學舞蹈系 Tinan University of Technology Department of Dance
《varhung 心事誰人知》為蒂摩爾古薪舞集2017年度製作
2018年獲選台灣第一個參與法國外亞維儂藝術節及愛丁堡藝穗節之節目，
同年更被提名英國表演藝術重要獎項（Total Theatre Awards舞蹈總類獎項）
此次首度將舞團如此重要的作品，交給南臺灣臺南應用科技大學舞蹈系畢業班作為畢業展作品，將此舞作最重要的動作元素，例如：砍月桃，撥月桃皮，捆月桃皮，三個動作元素交給舞蹈系的學生，更把蒂摩爾已逐漸累積成形的蒂摩爾身體律動，同時間教給畢業班的舞者們，但不強求舞者必須做到與蒂摩爾舞者相同的質地，而是讓剛滿二十的她們跳出屬於自己心中的蒂摩爾與自己想說的是？
《varhung 心事誰人知～ _ 二十之後說...》
二十歲
可以做很多事
可以說很多事
但很多事的是什麼？
想說很多的是什麼？
想想剛滿二十歲時的我們
很多的衝動帶著嘴上的肌肉
說出很多也許自己都不敢說甚至想說卻不能說的？
二十之後矛盾的養成
帶著矛盾的衝動與文字
逐漸地讓嘴上的肌肉變成無聲的故事
varhung - Heart to Heart is a 2017 production by Tjimur Dance Theatre.
In 2018, it was selected as the first program from Taiwan to be performed at Festival Off Avignon and the Edinburgh Festival Fringe and was shortlisted for the Total Theatre and The Place Award for Dance.
This is the first time such an important piece of the troupe’s has been given to the graduating class of the dance department at Tainan University of Technology as their graduation performance. The most important movements in the number (inspired by the cutting of shell ginger, the removal of shell ginger skin, and the binding of the skin) are integral parts they have received with the piece, along with the troupe’s “body rhythm,” which has formed through experience over the years. But Tjimur does not require the students to perform these movements in Tjimur’s way; the young dancers are simply encouraged to express what they think about Tjimur and what they want to say.
varhung - Heart to Heart - What I have to say since turning 20
At 20,
we can do a lot
and say a lot,
but do a lot of what?
And say a lot about what?
We’ve just turned 20,
and impulsiveness drives the muscles in our mouths
to say many things we normally dare not or cannot.
The paradoxes we have at 20
lead to paradoxical impulsiveness and speech,
gradually causing the muscles in our mouths to morph our story into silence.
2018年獲選台灣第一個參與法國外亞維儂藝術節及愛丁堡藝穗節之節目，
同年更被提名英國表演藝術重要獎項（Total Theatre Awards舞蹈總類獎項）
此次首度將舞團如此重要的作品，交給南臺灣臺南應用科技大學舞蹈系畢業班作為畢業展作品，將此舞作最重要的動作元素，例如：砍月桃，撥月桃皮，捆月桃皮，三個動作元素交給舞蹈系的學生，更把蒂摩爾已逐漸累積成形的蒂摩爾身體律動，同時間教給畢業班的舞者們，但不強求舞者必須做到與蒂摩爾舞者相同的質地，而是讓剛滿二十的她們跳出屬於自己心中的蒂摩爾與自己想說的是？
《varhung 心事誰人知～ _ 二十之後說...》
二十歲
可以做很多事
可以說很多事
但很多事的是什麼？
想說很多的是什麼？
想想剛滿二十歲時的我們
很多的衝動帶著嘴上的肌肉
說出很多也許自己都不敢說甚至想說卻不能說的？
二十之後矛盾的養成
帶著矛盾的衝動與文字
逐漸地讓嘴上的肌肉變成無聲的故事
varhung - Heart to Heart is a 2017 production by Tjimur Dance Theatre.
In 2018, it was selected as the first program from Taiwan to be performed at Festival Off Avignon and the Edinburgh Festival Fringe and was shortlisted for the Total Theatre and The Place Award for Dance.
This is the first time such an important piece of the troupe’s has been given to the graduating class of the dance department at Tainan University of Technology as their graduation performance. The most important movements in the number (inspired by the cutting of shell ginger, the removal of shell ginger skin, and the binding of the skin) are integral parts they have received with the piece, along with the troupe’s “body rhythm,” which has formed through experience over the years. But Tjimur does not require the students to perform these movements in Tjimur’s way; the young dancers are simply encouraged to express what they think about Tjimur and what they want to say.
varhung - Heart to Heart - What I have to say since turning 20
At 20,
we can do a lot
and say a lot,
but do a lot of what?
And say a lot about what?
We’ve just turned 20,
and impulsiveness drives the muscles in our mouths
to say many things we normally dare not or cannot.
The paradoxes we have at 20
lead to paradoxical impulsiveness and speech,
gradually causing the muscles in our mouths to morph our story into silence.
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自由入場，無需報名 Free admission
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注意事項 Notice
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